Arts & Culture

Using art for wellness, restoration, and self-expression

Five interactive workshops offered to BIPOC students at the U of G to engage them in the arts and promote self-expression

Siyobin Blanco is a multi-disciplinary dancer and activist for racial justice. She participated in the U of G’s Art and Soul series by leading a dance-based workshop on March 16. (CREDIT: DEVON GOSS)

Hosted by the Cultural Diversity Office (CDO) at the U of G, the Art and Soul series is a collection of online artistic workshops for BIPOC students that promote identity exploration.

The CDO are hosting five workshops this month, from March 8 to 29. Activities range from music-making, dancing, egg painting, typography, and a paint night.

The series began in November, and was born out of student frustration with online learning and the lack of campus life during the pandemic. CDO coordinator Alexis Charles told The Ontarion that for BIPOC students, these challenges have been heightened by high-profile incidents of police brutality and anti-Black racism over the past year.

The pandemic and these incidents have “reinforced the urgency in creating spaces for wellness and restoration as we continue to dismantle inequities within our communities and beyond,” said Charles.

In a dance-based workshop on March 16, Siyobin Blanco guided participants through an exploration of natural movements and movement-based creativity.

As a multi-disciplinary dancer and activist for racial justice, Blanco wanted her workshop to help others “connect to their inner self through expressive and intuitive movement.”

Blanco explained that “intuitive movement is about getting curious, learning to be present in the moment, embracing yourself exactly as you are, and improving your inner attunement,” she told The Ontarion. “Intuitive movement requires no experience and it’s important to me that my classes are accessible and welcoming for all folks.”

Having danced since she could walk, Blanco emphasizes that dance has been part of her life, self-expression, healing, and growth.

“Performing dance provides an opportunity to evoke emotion, share experiences, outlooks and even political views,” she said.

Nicole Alexander is a visual artist who hosted one of the November Art and Soul series workshops. She returned on March 23 to host a paint night.

Nicole Alexander is a visual artist who hosted a paint night on March 23 for the U of G’s Art and Soul series. (CREDIT: NICOLE ALEXANDER)

Alexander grew up in Trinidad and Tobago, and has been painting and doodling since she was young. Despite having won local art competitions, she decided to study science and pursue the arts as a hobby.

“When we were placed in lockdown about a year ago due to the coronavirus pandemic, there were many people who suffered from losing the ability to be out and about and having to stay indoors for an indefinite period of time,” Alexander told The Ontarion.

“As a teacher, I thought about children and how they might have been trying to manage the news of them not returning to school. I decided to offer free paint sessions for kids and families on my Facebook platform, ‘Art and Soul with Nicole.’”

The results were a success. Alexander said that families, parents, and children were eager to “escape with a paintbrush and canvas to places where only their imagination would be their limitation.”

The March workshop she led involved acrylic painting using paint brushes and red, blue, and yellow paint. While she tries to guide participants, Alexander allows each artist to express themselves through the colours and brushstroke direction of their choice.

“Art can help to heal, and it is for this reason that I am surely willing to continue to share my passion of painting with any- one who needs it in an effort to help them to manage and cope with the stresses or just to help with managing everyday living,” said Alexander.

 

Participate in the Art and Soul series by signing up on Gryphlife.

Register for Nowruz Egg Painting with Mojgan Ghare happening on March 27 or for Persian Typography with Navid Mohamadpour on March 29.

 

A version of this article appeared in print in The Ontarion issue 190.4 on March 25, 2021.

Please visit www.theontarion.com/submit to find out how you can share your work with The Ontarion.

 

 

Comments are closed.