The National’s 2005 album Alligator solidified the band’s sweet—but mostly salty—style. The album opens with “Secret Meeting,” telling of bitter self-reflection, paired with full, melodic guitar and methodic drums. Singer Matt Berninger’s cool, unwavering vocals provide context and coherence to the band’s fierce musical versatility. From stripped-down guitar and piano-based track “Daughters of the Soho Riots,” to manic songs “Lit Up,” “Abel,” and “Mr. November,” the group combines the most personal and impersonal aspects of music and throws them at you with angst. “The Geese of Beverly Road” begins with an extensive wind instrument section before the percussion comes in. “All the Wine” opens with subtle guitar, with lyrics equal parts strange and bitter. The track’s ambient-rock feel is perfect for studying or walking. Or, if you take the lyrics’ advice, it’s an album to enjoy with a glass of red wine.
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